Exterior:
1) the east- facing warehouse with main façades fronting Arthur and King streets;
2) boxy, rectangular plan with exposed, roughly-dressed limestone block base and buff brick superstructure;
3) south façade with roughly-dressed limestone block base, raised loading doors, metal fire escape and painted signage displaying the Silpit logo;
4) prominent east entrance inset in radiating rough-cut limestone voussoirs, limestone steps and fanlight;
5) regularly spaced window openings with square heads and roughly-dressed limestone accenting, save the round-arched top floor openings with brick drip moulding; and
6) details including corbelled brick cornice, pilasters, flagpole in southeast corner of building, etc.

Interior:
1) high ceilings with ornamental tin panels;
2) plank wood flooring;
3) some exposed cast-iron columns;
4) arched openings connecting the building to 70 Arthur and sliding metal fire doors;
5) simple wooden banisters on staircases; and
6) plank wood bathroom stalls

Exterior:
1) the elongated rectangular plan of the warehouse occupying the width of one block with prominent façade fronting Arthur and King streets and McDermot Avenue;
2) exposed, roughly-dressed limestone block base with buff brick superstructure;
3) multiple entrances on each façade, including round-arched north double doors, and the east entrance flanked by smooth-cut limestone with a metal Modernist marquee;
4) east/west dray way running the width of the south end of the building;
5) regularly spaced openings; windows with square heads save the round-arched windows of the fifth level, featuring limestone lug sills and lintels and inset panels below; and
6) details including decorative corbelled brick cornice, corbelled brick banding atop the fifth and seventh floors, pilasters, metal fire escapes on the east and west façade, flagpole atop the roof, etc.

Interior:
1) high ceilings with ornamental tin panels;
2) plank wood flooring;
3) some exposed cast-iron columns;
4) arched openings connecting the building to 54 Arthur and sliding metal fire doors;
5) simple wooden banisters on staircases;
6) plank wood washroom stalls; and
7) main floor with some wainscoting and decorative tin paneling

Exterior:
1) the location on the east bank of the Red River, at the junction of avenues Taché and de la Cathédrale in St. Boniface;
2) the structure's east/west orientation on well-groomed grounds fronted by a cemetery that holds important pioneer families and historical figures;
3) the multi-storey 1908 Romanesque Revival limestone structure, now stone ruins, creating an enclosed rectangular courtyard through the ashlar façade and the rusticated segments of the north/south walls;
4) the symmetrical two-part front elevation with a large central empty rose window recessed behind the main (west) façade;
5) the monumental features of the main façade, with a large floriated compound arch resting on pilasters with heads featuring volutes, square corner towers abutted by Corinthian columns with massive plinths and chevroned off-sets, and a large gable parapet depicting a seated bishop inset in a niche surrounded by diaper patterned nailhead mouldings, crow-stepped trim and projecting bands of billet moulds, all topped by a low-relief Greek cross;
6) the arcaded entrance composed of inner and outer round-arched openings with intrados inscribed with Greek crosses;
7) the numerous elongated rectangular and round-arched windows, many with radiating stone voussoirs and downward-sloping smooth-cut sills, and the towers' tall narrow openings;
8) details including the crypts, the stone staircases, modillioned cornice, limestone coping, dentilled and geometric banding, label moulding, lion's head, diamond and floral motifs;
9) the blended sacristy at the east end of the building with 1908 limestone, narrow, rectangular square-headed window openings, projecting lug stone sills; and 1972 angular upper storey with metal roofing, cornice and the projecting, east-facing entrance featuring an arched doorway and smooth-cut broken pediment with cross; and
10) the 1972 Cathedral, square in plan, set within the ruins of the 1908 Cathedral, with a prominent metal clad pyramidal roof and low set bands of fenestration

Interior:
1) the 1972 cathedral with the following aspects: the spruce-clad narthex, nave with hipped cedar ceilings featuring exposed beams and trusses, stained glass panels, simple oak pews, and raised sanctuary

Exterior:
1) The west-facing church located on Disraeli Street;
2) Simple, elongated rectangular plan;
3) Exposed, roughly-dressed limestone block base;
4) Lively massing of multiple volumes of varying heights and roof configurations, including a gable-roofed nave and projecting three-sided apse;
5) Square entrance tower with a metal-clad onion dome and Greek;
6) Orthodox cross atop a pyramidal roof;
7) Pointed arch window openings throughout with simple wooden tracery;
8) Stained glass bull's eye window in the rear (east) façade;
9) Low, raised stone structure attached to the east wall;
10) Secondary, smaller onion-dome on the east roof peak; and
11) Horizontal lap siding

Interior:
1) Formal plan featuring an unobstructed nave, with the raised sanctuary separated by an elaborate three-opening iconostasis; and
2) Choir loft at west end of nave

Exterior:
1) the rectangular plan of the warehouse with prominent façades fronting Arthur Street and McDermot Avenue;
2) exposed, roughly-dressed limestone block base with buff brick superstructure divided into bays by giant-order brick pilasters;
3) paired square-headed window openings throughout, with limestone lug sills and lintels, save the multi-paned industrial style windows of south elevation; corbelling atop fourth floor windows;
4) two square headed doorways on the north façade, and three round-arched openings on the west elevation, one being the east/west dray way;
5) details including a corbelled brick cornice, metal fire escapes on the west and south elevations, painted signage on the rear (south) and east façades, flagpole atop, some decorative wood sashes, limestone steps at northwest entrance, etc.

Interior:
1) plank wood floors throughout;
2) some exposed brick walls;
3) vestibules off McDermot entrances;
4) high ceilings with ornamental tin panels;
5) some exposed cast-iron columns with splayed capitals and some exposed timber posts; and
6) wooden balustrades with some carved spindles

Five-Storey Section (built 1913)- (unless otherwise noted, all elements pertain to all three main elevations, north, south and east)
Exterior:
1) The north, south and east facing reinforced concrete warehouse;
2) The rusticated stone-clad base and dark brick upper floor cladding with stone accenting;
3) The stone belt course above the fourth floor windows and the stone copping;
4) Original industrial sash windows on all levels including raised, square-headed basement openings, large ground floor elements and arched fourth floor windows with stone keystones;
5) Main entrances (two on the north façade and one on the south façade) featuring bull's eye windows above doors recessed in rusticated and smooth-cut ashlar, prominent surrounds and keystones; and
6) The deeply recessed square-headed loading bays on the south façade

Interior:
1) The columns with mushroom capitals on all levels

1) the south-facing three-storey brick-faced building located mid-block on Portage Avenue;
2) the (south) façade with three bays; the second floor featuring three-lite square-head windows, and the third floor featuring three-lite segmental-arched windows, all with top lights and decorative spandrels;
3) brick detailing including decorative window surrounds, medallions inset in decorative panels along the roofline and quoined edges; and
4) painted signage on the rear (north) façade

With the following interior elements:
1) formal Auditorium plan featuring a raised choir loft at the south end of the sanctuary with pipe organ, wood plank floors sloping down to the front of the Sanctuary, curved wooden pews placed in radiating rows, and a U-shaped upper gallery along the north, east and west walls supported by delicate columns;
2) high ceilings with ribbed plaster, coved transepts and decorative medallion screens; and
3) curved staircases in northeast and northwest corners with decorative wood balustrades and newel posts